, an online tool for you and your colleagues to use to think through the decisions they make on usage copyright materials at school.
Case Study #1: Prof. Marlowe, Romeo and Juliet
In his course English 210, The Literature of Drama, cross-listed as Theater 240, The Drama of Literature, and known affectionately by students as A Play a Day, Prof. Marlowe has for decades shown to his classes the scene from Shakespeare's Romeo and Juliet in which Mercutio is killed. It helps students understand the profound difference between the play as acted and the play as written. When he started teaching many years ago he showed it from 16mm film, then moved up to VHS tapes and nowadays to DVD. These days he's using Zeferelli's version, produced in the 1970's.
Case Study #2: Prof. Shearing, Passing Through
Among her many duties at the college, Prof. Shearing manages a recruitment and support program for underprivileged students. To encourage them to apply, and to show them how to navigate the various support systems that the college offers, she had one of her students create an entertaining cartoon animation of the process. Like the silent movies of old, the animation was accompanied by piano music, in this case a jazz piece, Passing Through, composed in 1956 and performed by Errol Garner, who died in 1977. She shows this animation to potential students when she's out on the recruiting trail.
Case Study #3: Prof. Daguerre, Images
Each week, Prof. Daguerre prepares a podcast for his students that reviews the key concepts of the course. He voices over his PowerPoint slides and adds illustrations drawn from Images. Students love these concise, witty, and personal productions. They download them from Blackboard and play them on their various media devices. Daguerre's use of images is especially clever and creative.
Case Study #4: Prof. Piaget, readings and videos in child development
In his lectures, Prof. Piaget makes good use of the video clips from the compact disc that accompanies the textbook, Child Development: an Experimental Approach. The clips match exactly with the topics in the book. The book (required) costs his students $95, and the CD (optional) is $30 extra, all at the campus bookstore.
Now that you have wrestled with the four case studies, you probably want me to tell you the right answers. But if I did that I would be destroying a teachable moment. Better for you to learn enough to provide the answers yourself. Here's how.
1. Understand that each case represents a balance between the rights of an author to protect his or her works from unauthorized copying and distribution, and the rights of teachers and students to learn without restriction on what works they can consider. To develop this understanding you might...
2. Review the relevant laws on copyright protection, and fair use of copyright materials. Here are your sources:
a. The founding phrase from the U.S Constitution: To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.
b. Copyright Basics from the CUNY libraries.
c. Frequently Asked Questions about Copyright, from the U.S Copyright office.
d. The U.S. Copyright Law
3. Try these cases with the Copyright Consideror. This online tool takes you through the process of thinking through the balance between the author's right to protect his work, and your right to teach with it.